I Don’t Want to Come Up There Lamp Maura Allen movement around this piece

movement around this piece

turquoise and red allenite

her styling is always so on point and was critical for the intended vibe on one of the most famous stretches of road in the world

does and the boundary line is right by Chateau Marmont

Focus is the most important verb in my kind of photography as it serves to either deliberately include or deliberately exclude

I Don’t Want to Come Up There Lamp Maura Allen movement around this piece46" x 24" x 24", 40lbs, rawhide shade, Edition of 30 "The power that any piece of art has to connect with another is derived from its authenticity. My sculptures are a window into my soul. I pour into the clay my hopes and dreams, my love, my pain, my insights, my understanding. Through my work, I can tell you my story.